Part of Hancher's 53rd seasonPresented in collaboration with FilmSceneEmbrace the shadows to explore themes of grief, war, generational conflict, and cycles of violence.The 4th Witch is a feature-length inversion of Shakespeare’s Macbeth created and performed by a celebrated Chicago-based company known for captivating live cinematic experiences. Told through shadow puppetry, actors in silhouette, and live music (without dialogue or narration), The 4th Witch begins on the eve of an invasion of a...

This performance will feature works choreographed by Bachelor of Fine Arts students Evelyn Becker, Madison Burkhart, Ruby Gentzler, Claudia Jacobson, Allyson Meinders, Emily Pyburn, and Lindsey Wildman from the University of Iowa Department of Dance.

By Anton Chekhov Adapted by Annie Baker Working with a literal translation by Margarita Shalina and the original Russian text Directed by Kayla Adams You know, I used to think that being a creep meant you were sick or abnormal, but lately I’ve come to the conclusion that we’re all creeps. Everyone in the world, behaving naturally, is a complete creep. Pulitzer Prize-winning playwright Annie Baker brings her observational prowess and razor-sharp wit to an intimate adaptation of Chekhov's beloved...

This performance will feature works choreographed by Bachelor of Fine Arts students Evelyn Becker, Madison Burkhart, Ruby Gentzler, Claudia Jacobson, Allyson Meinders, Emily Pyburn, and Lindsey Wildman from the University of Iowa Department of Dance.

By Anton Chekhov Adapted by Annie Baker Working with a literal translation by Margarita Shalina and the original Russian text Directed by Kayla Adams You know, I used to think that being a creep meant you were sick or abnormal, but lately I’ve come to the conclusion that we’re all creeps. Everyone in the world, behaving naturally, is a complete creep. Pulitzer Prize-winning playwright Annie Baker brings her observational prowess and razor-sharp wit to an intimate adaptation of Chekhov's beloved...

By Anton Chekhov Adapted by Annie Baker Working with a literal translation by Margarita Shalina and the original Russian text Directed by Kayla Adams You know, I used to think that being a creep meant you were sick or abnormal, but lately I’ve come to the conclusion that we’re all creeps. Everyone in the world, behaving naturally, is a complete creep. Pulitzer Prize-winning playwright Annie Baker brings her observational prowess and razor-sharp wit to an intimate adaptation of Chekhov's beloved...

Key Change: Brahms and His Piano Legacy, Concert #6This concert will be livestreamed here: https://music.uiowa.edu/events/school-music-livestream.This concert is free and open to the public.

Center for New Music Ensemble Concert IVMore concert details can be viewed here on the Center for New Music website: https://cnm.uiowa.edu/This concert will be livestreamed here: https://music.uiowa.edu/about/live-stream-concert-schedule.This concert is free and open to the public.

By Anton Chekhov Adapted by Annie Baker Working with a literal translation by Margarita Shalina and the original Russian text Directed by Kayla Adams You know, I used to think that being a creep meant you were sick or abnormal, but lately I’ve come to the conclusion that we’re all creeps. Everyone in the world, behaving naturally, is a complete creep. Pulitzer Prize-winning playwright Annie Baker brings her observational prowess and razor-sharp wit to an intimate adaptation of Chekhov's beloved...

Campus Symphony OrchestraThis concert will be livestreamed here: https://music.uiowa.edu/about/live-stream-concert-schedule.This concert is free and open to the public.